To end on a positive note, the FZ330 / FZ300’s EVF has a much better eye cup that the RX10 II’s, it’s very comfortable and does a great job of blocking extraneous light. When selected you obviously can no longer set the AF area, but the PASM and other shooting modes can be set in the usual way as can the ISO sensitivity. Both the FZ300 and the FZ330 have zoom lenses built in. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s. Which camera is better? You might want to move across to the CAM-parator app in order to select two other camera models for Panasonic FZ300 vs Panasonic FZ330, Lens catalogs: Canon  Fujifilm  Nikon  Sony, Imaging tools:  EXIF-Viewer    mFT-Glossary, Follow Apotelyt.com on Facebook   |   Twitter. While the FZ300 retains its predecessor’s 12.1-megapixel sensor and Leica-branded 24x f/2.8 zoom lens, it introduces a new Venus Engine processor and improved autofocusing system. For comparison, the screen on Sony’s RX10 II only tilts vertically, is not touch-sensitive, and employs a 4:3 shape which means native 3:2 images and especially 16:9 video are letter-boxed. choose from the broad selection of possible camera comparisons there. And you can expect the hit rate to fall pretty dramatically with faster moving and less predictable subjects like animals or football players. Lumix DMC-FZ300 digital camera pdf manual download. Announced in July 2015, it’s the successor to the FZ200 launched three years previously. Yet, some cameras only have an electronic shutter, while (sometimes also referred to as "crop factor") of 5.6. You can force the flash on or off and there’s a slow sync mode with first and second curtain options. Photos can be composed on either a 3" tilting OLED display or … The screen remains 3in and fully articulated, but is now also higher resolution (1040k dot vs 460k dot) and more importantly becomes touch-sensitive, a feature that was sorely absent on the FZ200. The Panasonic Lumix DMC-FZ330 (aka FZ300) is a 12 megapixel bridge camera, which updates the FZ200, and features a bright f/2.8 aperture 24x optical zoom … The FZ300 and the FZ330 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Above: Panasonic Lumix FZ330 / FZ300 1/200, f3.5, 100 ISO, Above: Panasonic Lumix FZ330 / FZ300 1/1300, f4, 100 ISO. a more meaningful comparison, or just scroll down During recording you can change the exposure setting including, depending on the mode, aperture, shutter speed, ISO sensitivity and exposure compensation. How about other alternatives? The FZ330 / FZ300 also supports 4k UHD video at 25 or 30fps and 4k Photo, along with retaining the 1080 / 50p / 60p and 720p at 120fps of its predecessor. Compared with the 8.3x zoom on the Sony RX10 II though, the FZ330 / FZ300’s range is huge. There are two sensitivity settings for the sensor, but even on the low setting I found to was all to easy to lose the screen image by inadvertently placing my hand near the viewfinder. Panasonic Lumix DMC-FZ330 review Panasonic builds on the success of the FZ200 with the faster, 4K-enabled FZ330 ... Panasonic LUMIX FZ300 Long... Amazon. capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software. The clever part is Panasonic equips its 4k Photo cameras with software that lets you easily capture bursts of video before scrolling through the footage and extracting the perfect frame as a JPEG image, all in-camera. You can also select from a choice of grids and a live histogram display from the custom settings menu. The reported shutter speed information refers to the use of the mechanical shutter. I’m going to concentrate most of this section on Post Focus and refer you to previous reviews if you want more detail on 4K Photo – such as Gordon’s Lumix GX8 review. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. others have an electronic shutter in addition to a mechanical one. There are a number of situations in which I think Post Focus could be useful. Nikon Z TC-1.4x TC-2.0x teleconverter review. Panasonic Lumix FZ330 / FZ300 design and controls. Here’s a version in 1080 / 50p. Here’s an example of both cameras at the same location zoomed to their maximum focal lengths; note the 3:2 aspect ratio of the Sony is wider. Many of the improvements concern the body which is now more rugged with dust and splash-proofing, sports twin control dials, a slightly more detailed and much larger electronic viewfinder image (1440k dot OLED with 0.7x magnification vs 1312k dot LCD with 0.46x on the FZ200) and an eye sensor to switch the screen off. In this article, I’ll compare the Panasonic FZ300 / FZ330 superzoom versus, Panasonic FZ1000 (large-sensor f/2.8 fixed-aperture, weatherproofed superzoom), Sony RX10 II (large-sensor superzoom) versus the Canon SX60 HS, Canon’s praiseworthy ultrazoom. comparator from among the camera models in the table. The Lumix DMC-FZ330 (also known as the FZ300) is Panasonic's latest super-zoom compact camera. Care should be taken when interpreting the review scores above, though. It works surprisingly well too. The Sony RX10 II’s Wifi implementation is broadly comparable with the FZ330 / FZ300’s. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. Here I positioned the FZ300 / FZ330 on the table with the ketchup bottle in the foreground. Using the app you can remotely view the composition and refocus the camera if necessary, before then setting the sensitivity of the jump detection. That said, you can always turn touch AF off, or just flip the screen inwards if it’s a problem. It’s a lot more substantial and feels a little bit more professional. Further information on the two cameras (e.g. *PANASONIC Lumix FZ330 REVIEW* Oct 26, 2019 • Review of Panasonic Lumix DMC-FZ300. On the right side of the Lumix screen there’s a small panel of touch icons which when tapped slides out to reveal more touch controls. APOTELYT.com has no affiliation with any of the equipment producers mentioned on this site and does not engage in retail trade. The FZ330 / FZ300 has no fewer than six focus modes, Pinpoint, 1-Area, Custom Multi, 49-Area, Tracking and Face Detection. The need to stop down as you zoom in also reduces the ability to achieve a shallow depth of field. Consistent information on actual sensor performance is available from DXO Mark for many cameras. Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. But it’s difficult to determine which way to go – is the current focus position in front of or behind the subject? Plus of course, the RX10 II’s ability to work with apps downloaded from the PlayMemories store means you can add new features like time-lapse and advanced bracketing. You can adjust the ISO, white balance, exposure compensation or focus area, and there’s also a Q.Menu button which presents a list of additional options you can remotely change including the flash mode, aspect ratio, resolution, compression, metering mode, macro mode,photo style or movie quality. This provides sufficient power on a full charge for 380 shots when using the screen 20 fewer if you exclusively use the viewfinder. APOTELYT.com may earn a commission when you buy through certain links shown on this site. In terms of their size and styling, the Lumix FZ330 / FZ300 and Sony RX10 II look quite similar; the RX10 II is a little more compact, but at 813g is heavier than the 691g Lumix FZ330 / FZ300. The RX10 II costs around twice the price of the FZ330 / FZ300; it’s undoubtedly a better quality camera, but is it twice as good as the FZ330 / FZ300? For stills shooting the O.I.S optical image stabilisation system is essentially unchanged from the earlier FZ200. As an Amazon Associate I earn from qualifying purchases. In the three years since the FZ200 Panasonic has introduced some new ones so, in addition to the original line up of Expressive, Retro, High Key, Low Key, Sepia, Dynamic Monochrome, Impressive Art, High Dynamic, Cross Process, Toy Effect, Miniature Effect, Soft Focus, Star Filter, and One Point Colour you can now add Old Days, Dynamic, rough and Silky Monochrome, Toy Pop, Bleach Bypass, Fantasy and Sunshine. $597.99. I then alternately tapped the screen in the region of the beer pumps on the bar and the ketchup bottle to shift the focus back and forth between them. After a little fine-tuning of the sensitivity you’ll be able to capture the perfect moment when you’re at the top of your leap. Finally I should talk about the Lumix FZ330 / FZ300’s Creative Control filter effects. The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 12 megapixels. Ordinarily, contrast detect AF systems in models like the FZ330 / FZ300 adjust the focus to try and achieve higher contrast in edge detail. The burst varies in length from a very short fraction of a second to about one second, depending on the nature of the subject and the number of focus planes the FZ330 / FZ300 decides to include. Contrast detect AF systems also find it difficult to know when the optimum focus point is reached, so they often go past the best focus position before returning to it. If a green rectangle appears, you’re in luck, if the rectangle is red the FZ330 / FZ300 didn’t record a frame with the focus set at that specific point. Download the original file (Registered members of Vimeo only) This enables the photographer to For these clips I used the zoom rocker surrounding the shutter release, but don’t forget, there’s a second zoom control on the lens barrel. Panasonic Lumix FZ330 / FZ300 lens and stabilisation The FZ330 / FZ300 sports the same 25-600mm equivalent f2.8 lens introduced on the FZ200 back in July 2012. Download the original file (Registered members of Vimeo only) On the other side of the viewfinder the FZ200’s AF/AE lock button has been augmented with a collar style switch for selecting the focus mode. The FZ330 / FZ300’s screen has been updated with a higher resolution 1040k dot LCD panel replacing the older model’s 460k dot screen. Concerning the storage of imaging data, both the FZ300 and the FZ330 write their files to SDXC cards. The Lumix FZ330 / FZ300’s AF system gains a couple of improvements over its predecessor; it now works reliably in lower light levels – down to -3EV and it also supports Panasonic’s Depth by Defocus technology to deliver a quicker response and better continuous AF. The Lumix FZ330 / FZ300 also has a standard hotshoe to which you can attach an external flash. While the FZ330 / FZ300’s 24x / 25-600mm zoom range is shorter than the longest super-zooms on the market – thanks to its constant f2.8 focal ratio – it still enjoys considerably longer reach than the Sony RX10 Mark II with its 8x / 24-200mm range. There are two options for transferring images; Batch transfer provides a menu from which you can select options to transfer the current day’s images, or you can include the last 3, 7 or 30 days, or if you’re feeling impetuous you can opt to transfer everything. The Panasonic Lumix DMC-FZ300 (called Panasonic FZ330 in some regions) and the Panasonic Lumix DMC-FZ330 (labelled Panasonic FZ300 in some countries) are two digital cameras that were revealed to the public in July 2015. The latest FZ-series camera from Panasonic, the Lumix DMC-FZ300, updates the FZ200 model we reviewed in September 2012. Additionally there are three AF styles, the usual AFS and AFC single and continuous modes are joined by a third AFF, or Auto Focus Flexible mode. For this hand-held panning shot the stabilisation was enabled and it does a great job of keeping things wobble-free during the pan and zoom and even at the FZ330 / FZ300’s maximum 600mm focal length. So the RX10 II’s viewfinder is visibly superior all round to the FZ300 / FZ330’s but don’t think any less of it for that. Keen eyed readers will note that I was able to get sharp results with the FZ200 at 1/10th. The AF responds very quickly, almost instantaneously in most circumstances and the only time there’s a perceptible delay is when fully zoomed in when the focus has to travel from close to distant and, as I already mentioned, in very low light conditions. Panasonic Lumix DMC-FZ330 sensor review: Monster zoom   Weatherproof all-in-one with a f/2.8-aperture lens The $498 Panasonic FZ330 is an all-in-one super-zoom bridge camera featuring a 24x optical zoom and 12Mp 1/2.3-type sensor. Most of the examples you’ll see of this feature, including mine, demonstrate this aspect of the feature. In this particular case, the Panasonic FZ300 and the Panasonic FZ330 have exactly the same width and height, Post focus mode is selected from the Rec menu, but can be assigned to one of the function buttons – I used the Fn2 button on the top panel. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras. On the other hand, since Panasonic FZ300 has 49% larger pixel area (2.34 µm 2 vs 1.56 µm 2 ) compared to Panasonic FZ80, it has larger pixel area to collect light hence potential to have less noise in low light / High ISO images. The first is the camera doesn’t have any kind of built-in browser to accept the terms and conditions of public hotspots, so you’ll mostly be using home or office-based Wifi. 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